PAM takes you back to when Ghanaians were living the hiplife, a 1990s musical and generational craze which placed hip-hop verses in-between highlife guitar loops.
If there is one country in Anglophone West Africa capable of challenging the undeniable Nigerian hegemony over contemporary pop music, it is probably Ghana. A relatively small territory of around 30 million inhabitants, the country has for decades been a continental hotspot for the most exciting genres. Around 2010, Ghanaian music was taking the world by storm with azonto, and in…
