Hannah Elsisi: “Chromeshesia probes a millennium of creation in exile”

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Hannah Elsisi stands out on stage, microphone in hand, with dim lighting casting mysterious shadows. Her performance evokes a sense of creation in exile, highlighted by the softly illuminated staircase behind her—a perfect backdrop for her chromeshesia-inspired art.

The story of music is not subordinate and tree structure. On the contrary, it is decentralized, polymorphic and develops randomly. At the start of the conceptual postulate of Hannah Elsisi, a simple debate between friends: Rosalía Hyperstar of world pop, of European origin, would have her career on the cultural reappropriation of Afro-descendant rhythms? A simple discussion in appearance, also coupled with a judicial case: that which currently opposes the Jamaican pair Steely & Clevie to the giants of …