Scúru Fitchádu and funaná's forbidden full circle – Pan African Music

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A man with a beard and tattoos sings into a microphone on stage, wearing a T-shirt with a can graphic. The image is in black and white, capturing the essence of Scúru Fitchádu's energetic fusion of funaná and Pan African Music.

Somewhere off the coast of Sao Tomé in the mid 1950s a steely frenetic sound spills over from the cargo ship’s bunkers. Fast and grating, an 18 year old Victor Tavares punched his labored hands into the keys of his most prized possession, an accordian, over a two month boat ride to his native Santiago, Cape Verde’s capital archipelago. Destined to become funaná legend, Victor aka Bitori was first met with harsh colonial oppression from fear of the rural sound’s subversive powers. Later, in 1997, the silver mustachioed musician went…