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Don Laka

estimated reading time: 2 min read

glasses and a patterned vest sits in front of a grand piano with sheet music on the stand in a modern room.

Early Life and Musical Formation

Don Laka was born in Mamelodi, a township near Pretoria, into a musically inclined family. Growing up in a community where jazz was a dominant cultural force, he was exposed to music from an early age. His first instrument was a makeshift guitar crafted from an oil can, wood, and fishing line, reflecting his resourcefulness and early passion for music.

Education and Early Musical Development

Laka’s formal music education commenced after completing his matriculation in 1978. He pursued music studies, obtaining his licentiate in high school music teaching in 1979. Despite facing apartheid-era restrictions that hindered access to certain institutions, Laka’s determination led him to study at the Royal Academy of Music, where he achieved Grade 8 proficiency in classical guitar. However, due to the prevailing political climate, he was unable to enroll at the Pretoria Conservatoire.​

Musical Career and Innovations

Formation of Early Bands

In 1969, at the age of 11, Laka formed his first band, marking the beginning of his professional music journey. His debut recording occurred in 1972, featuring renowned guitarist Ray Phiri. These early experiences laid the foundation for his future endeavors in the South African music scene.​

Sakhile and Oneness

From 1980 to 1981, Laka joined the afro-fusion group Sakhile, formed by Sipho Gumede and Khaya Mahlangu. This collaboration revolutionized South African music and set the stage for groups like Bayete. Simultaneously, he recorded his first major release with the group “Oneness,” showcasing his versatility and musical prowess.​

Ymage and International Recognition

Laka’s next venture was forming his own band, Ymage, with Sello ‘Chicco’ Twala. Over a decade, Ymage released approximately 12 LPs, gaining significant attention. In 1986, the group met with renowned producer Tony Visconti, known for his work with David Bowie, Paul McCartney, and T. Rex. This collaboration marked a significant milestone in Laka’s career, leading to international recognition.​

Kalawa Jazmee and Industry Influence

In the 1990s, Laka co-founded Kalawa Records with Oscar Mdlongwa (Oskido), which later evolved into Kalawa Jazmee. This record label became one of the first successful black-owned music companies in South Africa, playing a pivotal role in the rise of kwaito music. Laka’s involvement with Kalawa Jazmee solidified his position as a key figure in the South African music industry.

Creation of “Kwaai-Jazz”

In the late 1980s and early 1990s, jazz music was scarcely played on South African radio. To bridge this gap, Laka pioneered “kwaai-jazz,” a fusion of South African music styles, including kwaito, kwela, and marabi, with jazz elements. This innovative genre aimed to make jazz more accessible and relatable to the youth, reigniting interest in jazz across the nation.​

Notable Collaborations and Contributions

Throughout his career, Laka collaborated with several prominent South African artists, including Yvonne Chaka Chaka, Rebecca Malope, Ray Phiri, Sipho Mabuse, Mango Groove, Sharon Dee, and Johnny Clegg. His contributions as a string and keyboard arranger were instrumental in the success of many of these artists’ works. In 1990, Laka began writing larger orchestral arrangements for Sibongile Khumalo, who performed with the National Symphony Orchestra of South Africa.

Discography Highlights

Laka’s extensive discography reflects his evolution as an artist:​

  • 1982: Going Crazy
  • 1984: I Wanna Be Myself
  • 1987: Smile
  • 1991: Lost Time
  • 1997: Destiny
  • 1998: Super Nova
  • 2001: Pyramid
  • 2002: Armageddon
  • 2007: Invitation
  • 2008: Paradise
  • 2014: Portraits
  • 2015: Afro Chopin
  • 2016: Boogie Breakdown: South African Synth Disco
  • 2017: Reflections
  • 2018: Poison
  • 2019: Re-Birth of Kwaai Jazz, Passion, I Wanna Be Myself

His 2019 album Passion marked a return to his kwaai-jazz roots after an eight-year hiatus, aiming to reintroduce jazz to the younger generation. The album blended elements of gospel and jazz, reflecting Laka’s personal experiences and musical journey. ​

Awards and Recognition

In 2013, Laka received a Grammy nomination for Best World Music Album for producing Hugh Masekela’s Jabulani. This accolade underscored his influence and contribution to the global music scene.

Personal Life and Legacy

Laka’s commitment to music extends beyond performance and production; he is a vocal advocate for increasing local content on radio and television, a cause he has championed for over two decades.