Early Formation and Influences
Kokoroko was formed in 2014 when trumpeter Sheila Maurice-Grey and percussionist Onome Edgeworth met during an arts trip to Meru, Kenya. Their shared passion for music and desire to promote African diasporic culture led to the creation of the band. The name “Kokoroko,” derived from the Urhobo language of southern Nigeria, translates to “be strong” or “hard to break,” reflecting the band’s resilience and commitment to their musical vision.
Drawing inspiration from legendary artists such as Fela Kuti, Tony Allen, and Ebo Taylor, Kokoroko channels the greats of West Africa through a jazz-rooted approach. Their sound is characterized by a powerful horn section, intricate rhythms, and a blend of Afrobeat, highlife, jazz, soul, and funk .
Band Members
Kokoroko’s lineup includes:
- Sheila Maurice-Grey – Trumpet, Flugelhorn, Vocals (Co-bandleader)
- Onome Edgeworth – Percussion (Co-bandleader)
- Cassie Kinoshi – Saxophone
- Richie Seivwright – Trombone
- Tobi Adenaike – Guitar
- Yohan Kebede – Keyboards, Synthesizers
- Duane Atherley – Bass
- Ayo Salawu – Drums
The band is distinguished by its powerful all-female horn section, which adds a unique dimension to their sound .
Breakthrough and Recognition
Kokoroko gained widespread attention in 2018 when their track “Abusey Junction” was featured on Gilles Peterson’s Brownswood Recordings compilation We Out Here. The track quickly went viral, amassing millions of views and showcasing the band’s ability to blend traditional Afrobeat rhythms with modern jazz influences .
In 2019, the band released their self-titled debut EP, which further solidified their place in the London jazz scene. The following year, Kokoroko was named “ones to watch” by The Guardian, and in 2020, they won Best Group at the Urban Music Awards. That same year, they performed at the prestigious BBC Proms at the Royal Albert Hall, marking a significant milestone in their career .
Discography
Albums
- Could We Be More (2022) – The band’s debut full-length album reached No. 30 on the UK Albums Chart and received critical acclaim for its blend of Afrobeat and jazz .
- Tuff Times Never Last (2025) – Scheduled for release on July 11, 2025, this album is anticipated to continue the band’s exploration of Afrobeat and jazz fusion .
EPs
- Kokoroko (2019)
- Baba Ayoola / Carry Me Home (2020)
- Get The Message (2024)
Singles
- “Abusey Junction” (2018)
- “Uman” (2019)
- “Carry Me Home” (2020)
- “Baba Ayoola” (2020)
- “Something’s Going On” (2022)
- “Age of Ascent” (2022)
- “We Give Thanks” (2022)
- “Three Piece Suit” feat. Azekel (2024)
Live Performances and Tours
Kokoroko has performed at numerous prestigious festivals and venues, including:
- Glastonbury Festival
- SXSW
- Montreux Jazz Festival
- We Out Here Festival
- BBC 6 Music Festival
The band has toured extensively across Europe and North America, solidifying their reputation for dynamic and engaging performances .
Musical Style and Cultural Impact
Kokoroko’s music is a vibrant tapestry that weaves together the rich musical traditions of West Africa with the dynamic energy of London’s contemporary jazz scene. Their sound is characterized by hypnotic grooves, soaring horn melodies, and a deep sense of rhythm that reflects the band’s diverse cultural heritage. By blending genres and traditions, Kokoroko has created a unique musical identity that resonates with audiences worldwide.
Challenges and Controversies
While Kokoroko has enjoyed significant success, they have also faced challenges, particularly regarding the representation of African diasporic culture in the music industry. The band’s formation was, in part, a response to the underrepresentation of Black artists in the London jazz scene and a desire to place Black musicians at the forefront of the genre. This commitment to cultural visibility and authenticity has sometimes led to discussions about the industry’s approach to diversity and representation.
Personal Lives of Band Members
Details about the personal lives of Kokoroko’s band members are generally kept private, with the focus primarily on their musical endeavors. However, it is known that Maurice-Grey and Edgeworth’s collaboration was inspired by their shared experiences and backgrounds, which have significantly influenced the band’s musical direction and ethos.
Legacy and Future Outlook
Kokoroko stands as a testament to the power of cultural fusion and the enduring influence of African musical traditions. Through their innovative sound and commitment to cultural representation, they have carved out a unique space in the global music landscape. As they continue to evolve and expand their musical horizons, Kokoroko remains a vital force in the ongoing dialogue between tradition and innovation in contemporary music.
